|  
  
         
          BORN:
         January 31, 1944, Kosciusko, MSHarmonica wizard Norton Buffalo can recollect a
         leaner time when his record collection had been whittled
         down to only the bare essentials: The Paul Butterfield
         Blues Band and Stand Back! Here Comes Charley
         Musselwhite's South Side Band. Butterfield
         and Musselwhite will probably be forever linked as
         the two most interesting, arguably most important, products
         of the "White blues movement" of the mid-to-late '60s -- not
         only because they were near the forefront chronologically,
         but because they each stand out as being especially faithful
         to the style. Each certainly earned the respect of his
         legendary mentors. No less than the late Big Joe
         Williams said, "Charlie Musselwhite is one of the
         greatest living harp players of country blues. He is right
         up there with Sonny Boy Williams [I], and
         he's been my harp player ever since Sonny Boy got
         killed."
  
         
           It's
         interesting that Big Joe specifies "country" blues,
         because, even though he made his mark leading electric bands
         in Chicago and San Francisco, Musselwhite began
         playing blues with people he'd read about in Sam
         Charters's Country Blues -- Memphis greats
         like Furry Lewis, Will Shade and Gus
         Cannon. It was these rural roots that set him apart from
         Butterfield, and decades later Charlie began
         incorporating his first instrument, guitar.
 Born
         in Kosciusko, MS, in 1944, Charlie's family moved
         north to Memphis, where he went to high school.
         Musselwhite migrated north in search of the near
         mythical $3.00-an-hour job (the same lure that set
         innumerable Blacks on the same route), and became a familiar
         face at blues haunts like Pepper's, Turner's, and Theresa's,
         sitting in with and sometimes playing alongside harmonica
         lords such as Little Walter, Shakey Horton,
         Good Rockin' Charles, Carey Bell, Big John
         Wrencher, and even Sonny Boy Williamson. Before
         recording his first album, Musselwhite appeared on
         LPs by Tracy Nelson and John Hammond and
         dueted (as "Memphis Charlie") with Shakey Horton on
         Vanguard's Chicago/The Blues/Today
         series.
         
           
  
         
          When
         his aforementioned debut LP became a standard on San
         Francisco's underground radio, Musselwhite played the
         Fillmore Auditorium and never returned to the Windy City.
         Leading bands that featured greats like guitarists Harvey
         Mandel, Freddie Roulette, Luther Tucker,
         Louis Myers, Robben Ford, Fenton
         Robinson and Junior Watson, Charlie played
         steadily around Bay Area bars and mounted somewhat
         low-profile national tours. It wasn't until the late '80s,
         when he conquered a career-long drinking problem, that Musselwhite began touring worldwide to rave notices. 
        Today he is busier than ever. ~ Dan Forte         
         
            
               | Biography courtesy of All
                  Music Guide to the Blues - Paperback -
                  658 pages 2nd edition (1999) Miller Freeman Books;
                  ISBN: 0879305487 - the most comprehensive guide to
                  great blues recordings money can buy. The online
                  version of the All Music Guides may be found at
                  www.allmusic.com
                |  
         
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